Brand films, client stories, event recaps, and social cuts. From the first conversation about what you need to say, through script, shoot, and final grade.
Get A QuoteThe who-you-are film. What you do, who it is for, and why it matters, told in a way a stranger will sit through.
We sit down with your clients, ask the right questions, and let them tell it: the problem, the turning point, the result.
The two-minute version of a two-day conference, cut to make next year sell itself.
Vertical cuts built for reels and stories, captioned and sized for where they are going.
Thought leadership and internal comms, shot so your leadership sounds like people rather than a press release.
What it actually feels like to work there, for the careers page and the offer email.
Banking, robotics, sports technology, construction, healthcare, venture capital, nonprofit, youth sports, floral design, and luxury. Same crew, very different rooms.
Banking
Sports technology
Construction
Venture capital
Youth sports
Home healthcare, client story
Robotics
Robotics
Luxury marine
Financial services
Nonprofit
Vertical cuts built for reels and stories, from the same shoot days.
Healthcare, social cut
Floral design, social cut
Floral design, social cut
The hardest part of a video is not the filming. It is working out what the thing is actually supposed to say.
What you sell, who buys it, and what they consistently misunderstand about you. The message comes out of that conversation, not out of a template.
Scripting, storyboarding, and casting. You approve the words and the shot list before a camera comes out of the case.
Teleprompter for anyone reading, proper audio, proper lighting, and a director who is good at getting real performances out of people who are not actors.
Editing, color grading, voiceover, licensed music, captions, and separate cuts sized for every platform you are posting to.
“I cannot recommend Karen and Nicole strongly enough. Our nonprofit hired them to shoot photos and videos for our website overhaul, and the images have completely transformed our website and social presence.”
“Working with Nicole and her team was such a joy, both as her client and collaborator. I was especially impressed by the balance of efficiency with a fun, supportive atmosphere on set.”
Most projects run four to six weeks end to end: strategy, then scripting and pre-production, then filming, then editing and revisions. Rush projects can be accommodated.
Yes. We manage permitting for city streets, parks, and public spaces through the Boston Film Office, state permits through Massachusetts DCR, and MBTA transit property permits.
We can write it. Most clients come to us with a goal rather than a script, and we build the message, the script, and the shot list with them.
That is most of the job. We use a teleprompter where it helps, direct rather than just record, and shoot enough takes that nobody is stuck with their first nervous one.